项目名称：“超轴线”公共艺术灯光照明工程

　　此项目为2019阿拉丁神灯奖工程类参评项目

　　申报单位：野城建筑事务所 Wild City Factory　

　　项目地址：南京青奥广场　 Nanjing Youth Olympic Plaza

　　设计单位：　野城建筑事务所 Wild City Factory

　　施工单位：苏展南京环境艺术工程有限公司

　　业主单位：南京市建邺区城市管理局

　　项目简介

　　“超轴线”动态灯光艺术装置是旅法建筑师野城为南京首届青奥艺术灯会打造的超尺度公共艺术灯光装置作品。这件作品在城市历史和城市空间上进行双重构思，深入挖掘青奥轴线的历史意义和时代特征，形成了一条贯穿青奥广场的超长动态灯光艺术装置。这件作品也将成为河西建邺“城市客厅”理念的开创性城市公共艺术作品。

As a super-scaled public art lighting instrument designed by Ye Cheng, an architect studied and worked in France once, for the first Nanjing Youth Olympic Lighting Art Festival, the Super Axis dynamic art lighting instrument takes shape such an over length instrument through the Youth Olympic Square with dual conception both on urban history and urban space, and with the deep consideration on the historical magnificence and contemporary characteristics of the Youth Olympic axis. It shall also be the groundbreaking urban public artistic works with the urban parlor idea of Jiangye district, Hexi area.

青奥广场的水平超轴线与青奥中心双塔楼的垂直轴线遥相呼应，相得益彰。整个灯光设计充分考虑了青奥文脉和场域在地性，充满活力和现代感，并与青奥历史文脉和城市环境融为一体。 超轴线更与青奥地标九骏马雕塑进行对话，传统雕塑和现代灯光装置共同建构了一组新作品。这条超长的灯光装置贯穿380米长的草坪，犹如九骏马奔腾拖曳出的彩带，幻化成“光”的时代征程。涌动起伏的灯带富有韵律美感，将“划时代”这样的宏大主题，以一种诗意和未来感的方式简单而又轻松地呈现出来。

The horizontal Super Axis of the Youth Olympic Square echoes with the vertical axis of the Youth Olympic Center twin towers of at a distance, making the contrast and complement with each other. It is fully considered on the whole lighting design to the cultural context and site locality with vitality and sense of modernity, and inosculation of the Youth Olympic historical context and urban environment as a whole. There is dialogue between the Super Axis and the Youth Olympic landmark, the 9 fine horses statue, and the traditional statue and modern lighting instrument make up a new set of works. Like the colored belts dragged out by the 9 running fine horses through the lawn of 380 meters long, this particularly long lighting instrument miraculously transforms into the modern journey of light. With the rhythm beauty up and down, it represents the epochal master themes in a way of poetic and future sense with simplicity and ease.

这条超长灯光装置由2000根高低起伏的灯杆组成，如两条有韵律的彩带延绵开来，长约333.333......米。设计长度选用“3”这个数字来自于“三生万物”的中国传统哲学。以3为单元的无穷数寓意灯光彩带如时间长河，延绵不绝，穿越古今，涌向未来。

Constituted by 2000 lampposts high and low, and extended as 2 rhythmical colored belts as long as 333.333..... meters, this extra long lighting instrument takes the number 3 from Chinese traditional philosophy of All Things Begot from 3, and the infinite number in unit of 3 means the lighting colored belts running to the future through ancient and modern times, lingering in the long river of time.

这是一条城市空间的智慧照明系统，这更是一场科技与艺术融合的城市公共空间艺术亮化的实验。整个灯光装置由程序控制动态LED灯光，形成各种绚烂的色彩变幻效果，进行弹钢琴跳跃式的灯光游戏，还可以每半个小时进行一次酷炫的灯光秀准点报时。两条平行灯带高低错落，明暗相交，层叠错落，犹如一条发光的科幻山水长卷。

This is an experiment of the artistic lighting for urban public space combined by technology and art as well as the intelligent lighting system of urban space. With program controlled dynamic LED lighting, the whole lighting instrument could show the skipping lighting game like playing piano with various gorgeous color changing effect, and strike the correct time with cool lighting by every half an hour on time. The parallel lighting belts intersects in high and low, and in light and shade, with different levels as a flaring landscape scroll of science-fiction.

　　照明技术指标

广场草坪尺寸：长380米，宽24米

Size of the square lawn: 380 meters long，24 meters wide

灯带方阵尺寸：长333.333......米， 宽5米，高约1至4米

Size of the light belt matrix: 333.333 meters long，5 meters wide and about 1-4 meters high

两根灯杆轴心间距：33.333......厘米

Distance between the axes of the 2 lampposts: 33.333...... centimeters

灯杆条数：2000根

Amount of lampposts: 2000

灯带条数：4000条 （双面溶光LED灯带）

Amount of light belts: 4000 （2-sided LED light dissolving belts）

灯带总长度：4000米

Total length of light belts: 4000 meters

　　节能措施及效果

作为城市公共空间，绿岛，广场，公园，道路，高速路，机场，江河堤岸等不同空间的公共艺术照明装置，提升城市环境的艺术感和未来感。

亦可在大型展演活动中作为大型灯光艺术作品，进行整场艺术气氛的烘可托。

This public art lighting fixtures in different spaces such as urban public spaces, green islands, plazas, parks, roads, highways, airports, river embankments, etc., enhance the artistic sense and futuristic of the urban environment. It can also be used as a large-scale lighting art work in lighting exhibitions to carry out the whole artistic atmosphere.

　　照明设计创新点

智慧灯杆：采用LED溶光灯条，配合参数化编程控制2000跟灯杆，灯杆形成起伏的灯杆超长屏幕，实现数十种不同的动态灯光组合变化效果。灯杆也可以自由组合成不同形状，可以是线性超长排列，也可以是圆环排列，或者其他任意图案。编程的动态效果也会根据不同的组合图案进行专门设计。

Smart light pole: LED light strip, with parameterized programming to control 2000 with the light pole, the light pole forms an undulating long pole of the light pole, achieving dozens of different dynamic lighting combination changes. The light poles can also be freely combined into different shapes, which can be linear super long arrays, circular rings, or any other pattern. The dynamic effects of programming are also specifically designed for different combinations of patterns.

　　项目实际运行评价

实景短片视频地址：

http://player.youku.com/player.php/sid/XNDExMTE3NjI0OA==/v.swf

https://v.youku.com/v_show/id_XNDExMTE3NjI0OA==.html?spm=a2hzp.8244740.0.0

申报单位

野城

旅法建筑师，策展人，诗人，艺术家，评论家，未来学家

野城建筑事务所（Wild City Factory)创始人/主持建筑师

野城毕业于南京大学地球科学系，赴法考入巴黎建筑专业学院（ESA），毕业作品获ESA年度大奖。他先后在多家国际前沿建筑事务所工作，曾任巴黎国立高等装饰艺术学院（ENSAD)研究员，法国艺术家协会会员。他是首位获得法兰西学院艺术院士院（Académie des Beaux-Arts, Institut de france）“青年艺术家奖”的中国人。

作为近年来活跃于国内外的年轻一代建筑师策展人，野城从他丰富的创作实践和参展经验中摸索出一套与众不同的策展思路，力图打破建筑、艺术与设计的界限，并以跨学科、跨疆域的展览比较学方法进行策展工作。同时野城的建筑师身份更让展览的空间设计与策展思路无缝对接，最大限度地表现展览意图和贯彻展览内容。野城曾于2014年中法建交50周年协助文化部在法国里昂举办中国当代建筑展，并作为同年里昂Dock Art Fair摄影年展中国单元的联合策展人。2015年作为北京国际设计周主场策展人进行跨界策展。为纪念托马斯·莫尔发表《乌托邦》500周年，2016年野城在上海喜玛拉雅美术馆策划了以年轻建筑师艺术家为主的“重构乌托邦”未来城市建筑展。2018年他在深圳华美术馆策划了由中国最有代表性的建筑师和艺术家参展的“重构乌托邦”建筑艺术大展。此外他还与国内外展览机构合作进行独立策展和学术研究。

2009年开始，野城致力于推广他的“生态乌托邦“（ECOTOPIA）城市理论，主张“农村反攻城市”，把生态农业引入城市内部，重组现有的生产关系和消费关系，并原创性地提出“城市农民”和“城市农业集体所有制”的公民化社会构想。

2003年以来，野城的百余首诗歌作品发表于《北京文学》《诗选刊》《新诗刊》《绿风》《海峡》《伯乐》《天南文学双月刊》等文学刊物。数十篇建筑、艺术、设计、电影等领域的评论文章发表于《时代建筑》《建筑创作》《城市空间 设计》《UED》《Abitare》《世界建筑导报》《艺术新闻》《中国艺术时空》《周末画报》《外滩画报》《知日》等期刊及《看不见的城市 “深双”十年研究》《城市山水》等文集。野城更探索用建筑小说的形式去阐述他脑洞大开的城市建筑未来学理念。

他在2014年提出“超景观”（Hyper Landscape）未来城市形态，并用于浮流城（Flow City）的生态城市设计。他的“虫洞城市”理论提出“拥散文化”“闲散空间”的概念，这是对库哈斯的大都会”拥挤文化“的瓦解，并对下一个时代的城市空间和社会形态提出诗意构想。

近年来，乌托邦城市建筑发展史是野城研究的主要课题。他以重构乌托邦为线索梳理全球近几十年的发展，对高速城市化的过去和科技垄断的未来进行全新角度的梳理和批判，期望借“重构乌托邦”和城市建筑未来学的探索找到一条通往人类更高文明态的道路。

Ye Cheng

France-based architect,curator,poet,artist, critic，futurist

Founder/Chief Architect of Wild City Factory

YE Cheng, graduated from Department of Earth Sciences, Nanjing University. And later he went to Ecole Spéciale dArchitecture (ESA) in Paris. His graduation works won the ESA best diploma award. He worked in several cutting-edge achitectural offices and served as a researcher of Ecole nationale supérieure des Arts Décoratifs (EnsAD) in Paris. He is also the first among Chinese that won the Award for Young Artists by Académie des Beaux-Arts of LInstitut de France.

Emerging as one of the young architects and curators active nationally and internationally, Ye Cheng has developed his unique curation concept through his rich experience in creation activities and shows he partic.